Matthew López, a London-based American writer renowned for his works centered on the gay male experience, has brought his play “Reverberation” to the European stage in Bristol. López, acclaimed for his seven-hour drama “The Inheritance” and the film “Red, White & Royal Blue,” presents a romcom that delves into the depths of violence and rejection, resonating with the theme of seeking connection in a world overshadowed by past traumas.
The play introduces us to three characters entangled in a web of loneliness and struggle. Jonathan, a 30-year-old illustrator haunted by a tragic event, finds solace in his flat, seeking companionship through dating apps. Wes, a 21-year-old with a yearning for love, enters Jonathan’s life but is hesitant to leave. Meanwhile, Claire, a 29-year-old newcomer from the US, navigates her nights with various dates, embodying a transient existence.
The stage design by Ti Green, resembling a doll’s house with transparent walls, offers a glimpse into the characters’ inner turmoil. Robbie Butler’s lighting effects, Daniel Denton’s video projections, and Nicola T Chang’s sound design create a visual and auditory landscape that mirrors the unspoken emotions of the protagonists. While technically impressive, these cinematic elements sometimes overshadow the play’s narrative momentum.
Despite the visual spectacle, the heart of the production lies in the performances. Michael Ahomka-Lindsay portrays Jonathan with a blend of elegance and emotional depth, capturing the character’s inner turmoil with finesse. Jack Gibson, in his debut role, shines as the endearing Wes, exuding a genuine desire for connection. Eleanor Tomlinson’s portrayal of Claire adds a layer of fragile exuberance reminiscent of iconic characters like Liza Minnelli’s Sally Bowles.
Directed by Jack Sain, “Reverberation” unfolds as a poignant exploration of human connection amidst past wounds and the quest for love. López’s play, while embracing the light-heartedness of a romcom, delves into the complexities of relationships and the enduring impact of trauma on individuals. The production at the Bristol Old Vic invites audiences to reflect on the intricacies of human emotion and the universal longing for understanding and acceptance.
As the European premiere of “Reverberation” captivates audiences with its blend of humor and darkness, it stands as a testament to López’s skill in weaving compelling narratives that resonate with contemporary themes of love, loss, and the enduring quest for connection.
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